Pros of Brian's: concrete, visually arresting.
Cons: might scare off the poetry loving straights.
Pros of Enoch's: will cost less, puts it in visual thematic of the rest of his titles.
Cons: I'm not crazy about abstraction.
Do comment!
Do comment!
Much fewer, 'cos I've been working full-time.
Yong Shu Hoong's "Frottage"
Felix Cheong's "Broken by the Rain"
Edna St Vincent Millay's "Evanescence and Other Poems"
*Fiction*
Colin Cheong's "The Stolen Child”
Michael Hollinghurst's "The Swimming Pool Library"
Rita Mae Brown's "Rubyfruit Jungle"
Kazuo Ishiguro’s “Never Let Me Go”
*Drama*
Terry Johnson's "Hysteria"
Paul Rae and Kaylene Tan’s “Duets1”
*Non-Fiction*
Ng King Kang’s “The Rainbow Connection”
*Graphic Texts*
"The Offnung Symphony Orchestra"
Michael Lee Hong Hwee's "When A Body Meets A Building"
*Performances*
The Substation’s “Future of the Imagination”
Tokidoki-Jido's "Lightology"
W!ld Rice's "The Magic Fundoshi"
The Finger Players' "Furthest South, Deepest North"
Spell #7's "Duets 2"
Indian Ink's "The Candlestickmaker"
Andrew Lloyd Webber's "Aspects of Love"
"Burn the Floor"
Cake Theatre's "Queen Ping"
Ramesh Meyyappan and Lars Otterstedt's "The Art of War"
*Films*
"If You Were Me” (A Korean animation anthology)
"50 Ways of Saying Fabulous"
Lars von Trier's "Manderlay"
Amir Muhammad's "The Last Communist"
“The Book of the Dead"
Simon Chung's "Innocent"
Kelvin Tong's "Love Story"
"Formula 17"