SPORE Art Salon 8
Mon 25 July, 7pm drawing, 8pm performances
$15 entry (inclusive of food, catered by the Pigeonhole)
Directions are as follows:
From Tanjong Pagar MRT Station: EXIT A
Choon Guan Street - Wallich Street - cut through Orchid Hotel - Craig Road - 52&53 Duxton Road
From Outram Park MRT Station: EXIT G
Cantonment Road - Neil Road - Craig Road - 52&53 Duxton Road
But you want to know what's actually happening on the day itself, don't you? Well, here's the info:
SPORE Art Salon is a non-profit opportunity created for visual artists to meet, mingle, inspire, and share with performing artists. During the event, we alternate between drawing sessions with live models, and performances from musicians, contortionists, poets, dancers, actors and more. We also feature works of, and demonstrations by visual artists, individually or collaboratively.
FEATURED PERFORMING ARTISTS:
NG YI-SHENG (featured model)
SUZANNE SUBHA CHEW (Laughter yoga artist)
Suzanne zests for continuous learning and upgrading herself has motivated her to sign up for the Certified Laughter Yoga teacher (CLYT) course. She was trained under the world renowned guru Dr. Madan Kataria and had successfully obtained a certificate on the course in January 2010 conducted in Bombay, India. She is convinced, upon completion of the CLYT course, that the world could go HOHO-HAHAHA !!! and enjoyed the cheapest way to a healthy and happy living with little and best no medication. It can also be said that laughter is the best medicine to a stressless life.
21-year-old Jurane Solano has been singing since the age of 4 in her native country, the Philippines where she spent a part of her childhood. “Growing up, music has always been a huge part of my life, and I think it always will be.” When she migrated to Singapore, she joined and won a few singing competitions, spurring her to purse her passion in the performing arts. Her latest achievements include being the central female character in a musical ‘Paul the Musical’ staged in NUS University Cultural Centre (2009) and also lead actress in the musical ’13:34’ staged in Singapore EXPO (2010) to sold-out.
Metaphorically speaking, Zuni is part-lion (not lioness), part-flying whale, part-fastest mealworm in the world. Literally speaking, she is a young woman who sang before she spoke, told stories before she learnt to read, speaks with respectful intent to people and objects and is grateful to her pillows for listening to her early compositions which were altogether incomprehensible, violent and vulgar. It is most shameful that she did not discover poetry slams until she turned 19, but throughout her life she has always tried to put words in a hear-worthy order. She tells stories through spoken word or music and she does not compose fiction; everything she writes has either happened, is happening or will. There is a peace sign in her signature and it is easy to forge.
As a poet, she has stuck her toes into Blu Jazz poetry slams and Open Mics at TAPAC. As a musician, she’s performed originals at post-museum and other places with a feminist-male/partner-in-crime . She is currently a philosophy student who spends her time in the company of Descartes, an ever-creasing dysfunctional poet family and deathly reassuring music. She writes everyday, half of which is discarded by the evening. Please give her your opinions because she's always up for more angles to frame the English word. Also, persons without opinions simply don't care.
FEATURED VISUAL ARTIST:
Melissa is interested in the idea of the push and pull of opposites. Elements and processes that are seemingly contrasting, and discovering the harmony of the in between, that gives her work its balance. Lately, she has been exploring materials, and learning to manipulate them differently. Merging them with other mediums, allows her to incorporate fragility that harmonizes into organic forms, translating a certain dialogue between the materials to inspire a certain ethereality of the work.
The theme for her recent work is on the transience of reality. Inspired by accidental mark makings, the uncontrollability of change and the constant act of trying to control. Merging the accidental marks with her own renderings, make it difficult to differentiate the two processes, however, the delicate line works that harmonizes the piece, aims to elicit the fragile beauty of the ephemeral.